American tragedies don’t occur on the southside of Chicago or the New Orleans 9th Ward. They don’t occur where inner city high school kids shoot into school buses or someone shoots at a 10-year old’s birthday party in New Orleans. Or Gary, Indiana. Or Compton. Or Newport News.
David Dennis asks (and answers) a compelling question: Why isn’t the New Orleans Mother’s Day parade shooting a national tragedy?
But overall, that’s exactly what it was like,” says Jonny. “You ran around the fucking streets of New York. The city was just crazy at that time and things were different with kids. It’s certainly not like that anymore. I think that Kids is probably, to me, the last time you see New York City for what it was on film. That is to me a seminal moment in New York history because right after that came the complete gentrification of Manhattan.”
Kids immortalizes a moment in New York City when worlds collided–“the end of lawless New York,” Eli says–before skateboarding was hip, before Giuliani cleaned up, suited up, and wealthy-ed up Manhattan.